Download Acting: An International Encyclopedia by Mary Beth Osnes PDF

By Mary Beth Osnes

Performing: a world Encyclopedia explores the fantastic variety of dramatic expression present in rituals, fairs, and reside and filmed performances. Its 1000s of alphabetically prepared, absolutely referenced entries provide insights into recognized avid gamers, writers, and administrators, in addition to impressive level and movie productions from all over the world and during the heritage of theater, cinema, and television.The publication additionally encompasses a dazzling array of extra issues, together with vital venues (from Greek amphitheaters to Broadway and Hollywood), performing colleges (the Actor's Studio) and corporations (the Royal Shakespeare), functionality genres (from non secular pageants to puppetry), technical phrases of the actor's artwork, and masses extra. it's a specific source for exploring the strategies performers use to captivate their audiences, and the way these strategies have developed to fulfill the calls for of appearing via Greek mask and layers of Kabuki make-up, in substantial halls or tiny theaters, or for the unforgiving eye of the digicam.

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Slowly her movie parts grew larger and often served the purpose of comic relief. In Dance Girl Dance, 1940, Ball portrays the delightful Bubbles in a supporting role. Ball’s final feature film was Mame, 1974. Ball is lovingly remembered for her exaggerated facial responses, her swaggering airs, and her ability to throw herself completely into even the silliest of comic situations. References: Ball, Lucille. Love, Lucy. New York: G. P. Putnam’s Sons, 1996; Horowitz, Susan. Queens of Comedy: Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers, and the New Generation of Funny Women.

A local god-clown character of Javanese origin, Semar, translates the ancient language used by the refined god characters while adding humorous comments all his own. Drama Gong is a new form of spoken realistic drama in Bali that is based on traditional stories. It is accompanied by a live gamelan, but includes no dance. References: Bandem, I Made. ” Indonesia Circle 3 (March 1983): 28–32; Belo, J. Bali: Bangladesh 29 Rangda and Barang. 2d ed. Seattle: Monographs of the American Ethnological Society, 1966; Brandon, James.

2d ed. Seattle: Monographs of the American Ethnological Society, 1966; Brandon, James. Theatre in Southeast Asia. Cambridge, MA: Harvard University Press, 1974; Covarrubias, Miguel. Bali. New York: Oxford University Press, 1972; Eiseman, Fred B. Bali Sekala & Niskala: Essays on Religion, Ritual, and Art. Berkeley, CA: Periplus Editions, 1989; Emigh, John. ” Drama Review 20, 2 (June 1979): 11–36; Hood, Mantle. ” In Indonesia, ed. Ruth McVey. New Haven, CT: Yale University Press, 1963; Jenkins, Ron.

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